Andrew Niccol

The suppression of data that somentemais ahead are presented is another important factor. Although narrativaseja onisciente, that is, the speech if gives of is of the ficcional space-time, with the narrator having the vision of everything, at some moments, the narrative focus sefecha. For example, in a scene where Tessa is in the hospital where it finishes to give to the light, tomadacomea as if the narrator assumed the point of view of the colleague of Justin, Sandy (Danny Huston), that it arrives, at that moment, for a visit. The spectator temacesso to the same amount of information that it, when seeing Tessa with a baby negronos arms, when already some conjecturas how much to possible relacionamentodela with Arnold existed. The end (calm, I do not go to count) previsvel, but, certainly is a surprise.

does not have paradox in this. Nahistria, as in Mr. of the Weapons (2005), film north-americanodirigido for Andrew Niccol, the logical one is of that it does not have very what to make, and uma' ' order superior' ' of course it goes to sobressair itself, dictating the rules of the game to semdar another choice not to be to accept it. However, one more time the poetical one makes adiferena, and this is not said of any form. Elements of diegese, that is, of the flmica reality, if overlap between itself, modifying the relevance degree would queteriam in a common speech. In the same way as it happened throughout the film, fragmentos that, normally would pass unobserved, finish producing sentidoalm habitual it. Thus, poetical of the film parecemesmo to be the great element. a crucial point for everything this, what already praticamente specialized consensus of the critical one, is the choice of the director.

Apresena de Fernando Meirelles is basic, inhabiting in the fact of that, probably, no European or North American would direct a workmanship as the Faithful Gardener with the deTerceiro optics World given for the Brazilian. The minimum details in the construction of quese account disclose as, in a globalizado world economic and culturally, osproblemas of a country, for many, insignificant, and day-by-day in a cidaderica they can be linked. The projects of modernity supported by umaviso that, even so older than the New World, never seems to be old. Ofilme unmasks, adubando plants, the humbug of the good intentions proclaimed the todoinstante for the great powers in its missions of peace and humanitarian aid. Definitively, the Faithful Gardener o type of film that does not make sensible to have happy end.